Ancient cave paintings at Bhimbetka
I’m paying £16 for this hotel room, way more than I usually pay, but the staff have been wonderful. Tiwari brought me my passport next day at 3 o’clock in the afternoon, his hair standing on end from the scooter ride to the police station. I gave him 200 rupees for his trouble. He brought me a complimentary drink and said I could stay in the room until five free of charge.
Passport nightmare
When I arrived at the government hotel on the road to Bimbetka, I discovered that my passport was still in the guest house at Sanchi. I realised that the guest house keeper had taken it to photocopy it, although I protested that I would forget it, and he had not given it back to me. I panicked, and said that I would have to return to Sanchi immediately to retrieve it, though I was not at all sure how I would get there, since it was already dark and it had taken me five hours to get from Sanchi to Bimbetka. The hotel manager said “Don’t worry, we will try to get your passport back,” and phoned to the government hotel in Sanchi, asking them to go to the guest house where I had stayed the night before and see whether they had my passport. Then he phoned the guest house and demanded that they bring my passport to Bimbetka, but they made lots of excuses about the darkness and the difficulty of driving a motorbike at night and the distance. “Do you want to go to the police station?” the manager asked. I did not hesitate. And so I sat on the back of a motor scooter, driven by Tiwari, one of the employees of the hotel, along the dark and dangerous road, oncoming traffic blinding us, lorries blaring their claxons and more than once driving us off the road, through clouds of thick dust, for six kilometres to the police station in Abdulla Ganj.
The local police seemed most disinterested in my plight, so my brave knight in shining armour demanded to speak to the chief of the police for the whole area. I don’t know what he said to him, but he spoke long and emphatically on his mobile phone, with the result that the police chief telephoned the police in Sanchi, who went to the guest house, retrieved my passport and promised to deliver it to the police station in Abdulla Ganj by the first train the next day.
On our return to the hotel in Bimbetka the hotel manager told me that he was on very good terms with the chief of the police, who was prepared to do this for him.
I’m paying £16 for this hotel room, way more than I usually pay, but the staff have been wonderful. Tiwari brought me my passport next day at 3 o’clock in the afternoon, his hair standing on end from the scooter ride to the police station. I gave him 200 rupees for his trouble. He brought me a complimentary drink and said I could stay in the room until five free of charge.
The name of the hotel is MPTDC Highway Treat
Bookings www.mptourism.comBhimbetka
I was alone in a wild and barren landscape of black boulders and contorted, leafless trees as I walked along the road to the famous cave paintings. A few birds were timidly twittering and I could hear the distant rumble of incessant trains. The first paintings I came across had been defaced. I walked on another km or two. There was a barbed wire fence beside the road, presumably to protect the cave paintings. I saw a white number painted onto a rock, found a hole in the fence, went through and climbed through the tangled branches of the bushes and trees, over rocks to the numbered rock underhang, where I found four ochre streaks on the rock, presumably standing men, with no discernible arms or legs. Back on the road I walked another kilometre or so and came to a little hut, where the park guard lives. He gave me a map and pointed to a path leading to some high rock formations, towering behind the trees.
On top of the hill there is a chain of dissected vertical tors of sandstone of the Vindhyan super group, one of the oldest geological formations. Some of the tors, the eroded remnants of a continuous mass, are 20 metres high. There are 750 caves in the tors and 500 of them have paintings in them. The site was inhabited 100,000 years ago and the paintings date from the lower Palaeolithic, 40,000 years ago, until the mediaeval period. Archaeologists have found paintings of humans hunting, riding, dancing and fighting. They were painted with minerals of red, green, ochre and white. Bhimbetka, which rises 600m above sea level and 100m above the surrounding plain, is one of the earliest cradles of cognitive human evolution.
The path I followed leads to just 13 rock shelters, a few of which have paintings. The first paintings I came to along this path were in a high cave, where pigeons cooed and fluttered in and out of holes near the roof. The paintings were in red ochre. Many of the other rock paintings have been spoilt by water infiltration, including the famous painting of a boar which had been obliterated, leaving a red smudge on the rock. But one cave had superb paintings on it. This was the so-called zoo rock, which is covered with a profusion of animals, 252 in total, of many different species. There are ten layers of superimposed figures, mostly from the Chalcolithic and historic periods and in the lower part of the rock there is a royal procession, painted in red ochre, with horsemen and warriors with long hair and head dresses. I was struck by the teeming animal life shown in this rock painting, which contrasts so strongly with the lifeless landscape today, clumps of soft copper coloured dead grass between trees that look as if they cannot find the strength to put forth leaves until the rainy season, not an animal in sight and the few birds brave enough to endure this environment barely uttering a faint twitter.